Thursday 28 May 2015

Cixin Liu: The Three Body Problem


The most surprising aspect of the Earth-Trisolaris Movement was that so many people had abandoned all hope in human civilisation, hated and were willing to betray their own species, and even chrished as their highest ideal the elimination of the entire human race, including themselves and their children.  
“No, emptiness is not nothingness. Emptiness is a type of existence. You must use this existential emptiness to fill yourself.”
It was impossible to expect a moral awakening from humankind itself, just like it was impossible to expect humans to lift off the earth by pulling up on their own hair. To achieve moral awakening required a force outside the human race.

“To effectively contain a civilization’s development and disarm it across such a long span of time, there is only one way: kill its science.” 

“Maybe in the future this theory will be disproven. But two great cosmological discoveries of this century—Hubble’s law, and observation of the cosmic microwave background–show that the big bang theory is currently the most plausible explanation for the origin of the universe.”

“Pan-Species Communism. It’s an ideology I invented. Or maybe you can call it a faith. Its core belief is that all species on Earth are created equal.”

“Even if God were here, it wouldn’t do any good. The entire human race has reached the point where no one is listening to their prayers.”

The creation myths of the various peoples and religions of the world pale when compared to the glory of the big bang.

"It was not a good idea for the human race as a whole to make contact with extraterrestrials. The impact of such contact on human society would be divisive rather than uniting, and would exacerbate rather than mitigate the conflicts between different cultures. In summary, if contact were to occur, the internal divisions within Earth civilization would be magnified and likely lead to disaster."

But one always awoke from a dream, just like the sun—which, though it would rise again, brought no fresh hope.

Monday 18 May 2015

David Stubbs: Future Days: Krautrock and the Building of Modern Germany



In order to invent anew, it was necessary... to reject Anglo-American dominance by drawing from it.
The convulsive vacillation in Krautrock between the axes of noise and beauty, metal and nature speaks about trauma and healing, destruction and rebirth, but at a subliminal, unspoken level.

"Music is just notes. What you speculate beyond that is pure nonsense."
- Klaus Schulze

"He used to dance to our music in a very extreme fashion. Once I saw him at the front of the stage with this naked old woman and he was shoving his Vaselined finger in and out of her backside to the rhythm of the music while ringing a bell at the same time."
- Chris Karrer

Sunday 17 May 2015

Marilynne Robinson: Lila



You best keep to yourself, except you never can.

You can say to yourself, I'm just a body that thinks and talks and seems to want its life, one more day of it. You don't have to know why. Well, nothing could ever change if your body didn't just keep you there not even knowing what it is you're waiting for. Not even knowing that you're waiting at all. Just there on the stoop in the moonlight licking up tears.

“You’re my wife,” he said. “I want to take care of you, even if that means someday seeing you to the train.”
She knew there were words so terrible you heard them with your whole body. Guilty. And there were voices to say them. She knew there were people you might almost trust who would hear them, too, and be amazed, and still not really hear them because they know they were not the ones the words were spoken to.

Some dogs bite. So you keep them away from people. You can't just get rid of them, for being the way they are. And now and then you can be glad to have them around, to snarl the way a good dog never does.

Wednesday 6 May 2015

Karl Ove Knausgaard: My Struggle Book 4




HERE LIES (EVERYMAN). ON BALANCE, HE DID HARM 

I drank though, and the more I drank the more it eased my discomfort.

I’ll damn well show him [his brother Yngve]. I’ll damn well show the whole fucking world who I am and what I am made of. I’ll crush every single one of them. I’ll render every single one of them speechless. I will. I will. I damn well will. I’ll be so big no one is even close. No one. No. One. Never. Not a chance. I will be the greatest ever. The fucking idiots. I’ll damn well crush every one of them. I had to be big. I had to be. If not, I might as well end it all.


… Between two long rugged chains of mountains, perilously steep and treeless, lay a narrow fjord, and beyond it, like a vast blue plain, the sea.

Ohhh.

The road the bus followed hugged the mountainside. To see as much of the landscape as I could I stood up and crossed to the other row of seats…. The mountains continued for perhaps a kilometer. Closest to us, the slopes were clad in green, but further away they were completely bare and gray and fell away with a sheer drop into the sea.

The bus passed through another grotto-like tunnel. At the other end, on a relatively gentle mountain slope, in a shallow bowl, lay the village, where I would be spending the next year.

Oh my God.

This was spectacular!

Karl Ove Knausgaard: My Struggle Book 3



The shadows that descended over the ground outside were so long and distorted that they no longer bore any resemblance to the forms that created them. As though they had sprung forth in their own right, as though there existed a parallel reality of darkness, with dark-fences, dark-trees, dark-houses, populated by dark-people, somehow stranded here in the light, where they seemed so misshapen and helpless, as far from their element as a reef with seaweed and shells and crabs is from the receding water, one might imagine. Oh, isn’t that why shadows get longer and longer in the evening? They are reaching out for the night, this tidal water of darkness that washes over the earth to fulfill for a few hours the shadows’ innermost yearnings.

Wouldn’t it be more natural to operate with several names since their identities and self-perceptions are so very different? Such that the fetus might be called Jens Ove, for example, and the infant Nils Ove, and the five- to ten-year-old Per Ove, the ten- to twelve-year-old Geir Ove, the twelve- to seventeen-year-old Kurt Ove, the seventeen- to twenty-three-year-old John Ove, the twenty-three- to thirty-two-year-old Tor Ove, the thirty-two- to forty-six-year-old Karl Ove – and so on and so forth? Then the first name would represent the distinctiveness of the age range, the middle name would represent continuity, and the last, family affiliation.