Peter Jaeger: John Cage and Buddhist Ecopoetics

Review here.

Zadie Smith: NW

The nineties, ecstatic decade!

Sometimes, one wants to have the illusion that one is making ones own life, out of ones own resources...

The window logs Kilburn’s skyline. Ungentrified, ungentrifiable. Boom and bust never come here. Here bust is permanent. Empty State Empire, empty Odeon, graffiti-streaked sidings rising and falling like a rickety roller-coaster. Higgledy-piggledy rooftops and chimneys, some high, some low, packed tightly, shaken fags in a box...

It filled her with panic and rage to see her spoilt children sat upon the floor, flicking through past images, moving images, of themselves, on their father’s phone, an experience of self-awareness literally unknown in the history of human existence – outside dream and miracle – until very recently. Until just before now.

Birgit Vanderbeke: The Mussel Feast

It was neither a sign nor a coincidence that we were going to have mussels that evening. Yes, it was slightly unusual, and afterwards we sometimes spoke of the mussels as a sign, but they definitely weren’t; we also said they were a bad omen – that’s nonsense too. Nor were the mussels a coincidence. This evening of all evenings, we’d say, we decided to eat mussels. But it really wasn't like that; you couldn’t call it a coincidence. after the event, of course, we tried to interpret our decision as a sign or coincidence, because what came in the wake of our abortive feast was so monumental that none of us have got over it yet...


Everything in our lives revolved around us having to behave as if we were a proper family, as my father pictured a family to be because he hadn't had one himself and so didn't know what a proper family was, although he'd developed the most detailed notions of what one was like...they may have been incredibly precise, but were impossible to fathom as none of us understood the logic behind them...

Ever since their escape to the West my mother's violin had lain in their bedroom wardrobe, and only occasionally, when she was sad, would she sit at the piano, playing and singing Schubert songs, the whole of the Wintereisse, back and forth, crying all the while...

I didn't get to know modern music at these concerts, in short bursts, but from listening to it secretly on the radio, and from the radio I gained the impression that music and mathematics were not so dissimilar, but closely related, they went hand in hand, I told my mother. My mother didn't like twelve tone music, she said; she preferred harmonious music, but not when it went dum-dee-dum-dee-dum like Verdi, who she didn't rate as a serious composer.

Nicola Barker: Darkmans

“You think it's all rather too "New Age" to be taken seriously, eh?'
'Not at all.'
'But it's an ancient discipline...'
'New Age disciplines invariably are,' Beede said, disparagingly, 'but in the modern world they lack context - we just pick them up and then toss them back down again, we consume them. They have no moral claim on us. No moral value. And without that they're rendered meaningless, fatuous, even.”

Javier Marias: The Infatuations

It’s quite shameful the way reality imposes no limits on itself...

We mourn our father, for example, but we are left with a legacy, his house, his money and his worldly goods, which we would have to give back to him were he to return, which would put us in a very awkward position and cause us great distress. We might mourn a wife or a husband, but sometimes we discover, although this may take a while, that we live more happily and more comfortably without them or, if we are not too advanced in years, that we can begin anew, with the whole of humanity at our disposal, as it was when we were young; the possibility of choosing without making the old mistakes; the relief of not having to put up with certain annoying habits, because there is always something that annoys us about the person who is always there, at our side or in front or behind or ahead, because marriage surrounds and encircles. We mourn a great writer or a great artist when he or she dies, but there is a certain joy to be had from knowing that the world has become a little more vulgar and a little poorer, and that our own vulgarity and poverty will thus be better hidden or disguised; that he or she is no longer there to underline our own relative mediocrity; that talent in general has taken another step towards disappearing from the face of the earth or slipping further back into the past, from which it should never emerge, where it should remain imprisoned so as not to affront us except perhaps retrospectively, which is less wounding and more bearable. I am speaking of the majority, of course, not everyone...

The worst thing that can happen to anyone, worse than death itself, and the worst thing one can make others dois to return from the place from which no one returns, to come back to life at the wrong time, when you are no longer expected, when it is too late and inappropriate, when the living have assumed you are over and done with and have continued or taken up their lives again, leaving no room for you at all...

Everything becomes a story and ends up drifting about in the same sphere, and then it’s hard to differentiate between what really happened and what is pure invention. Everything becomes a narrative and sounds fictitious even if it’s true...

What happened is the least of it. It's a novel, and once you've finished a novel, what happened in it is of little importance and soon forgotten. What matters are the possibilities and ideas that the novel's imaginary plot communicates to us and infuses us with, a plot that we recall far more vividly than real events do and to which we pay far more attention...


El enamoramiento - the state of falling or being in love, or perhaps infatuation. I'm referring to the noun, the concept; the adjective, the condition, are admittedly more familiar, at least in French, though not in English, but there are words that approximate that meaning.