Sunday, 12 April 2015

Gerald Murnane: Barley Patch



I should remind the reader that every sentence hereabouts is part of a work of fiction.

I would devise a more satisfying enterprise than either reading or writing. During the rest of my life I would concern myself only with those mental entities that had come to me almost stealthily while I read or while I wrote but had never afterwards detached themselves from me: I would contemplate those images and yield to those feelings that comprised the lasting essence of all my reading and my writing. During the rest of my life, I would go on reading from a vast book with no pages, or I would write intricate sentences made up of items other than words.

Long before I stopped writing, I had come to understand that I had never created any character or imagined any plot. My preferred way of summing up my deficiencies was to say simply that I had no imagination.

I can recall my having discovered as early as in 1952, while I was reading Little Women, by Louisa M. Alcott, that the female characters-in-my-mind, so to call them, were completely different in appearance from the characters-in-the-text, so to call them.

Very early in his life, the chief character became accustomed to thinking of his mind as a place. It was, of course, not a single place but a place containing other places: a far-reaching and varied landscape.

He was no mere observer of mental scenery. He was not long in learning that he could alter certain details and have them stay as he preferred them to be.

Some of what I had written had been published, but most of it had been stored as manuscripts or typescripts in my filing cabinets and will be there still when I die.

This might have been the first time for as long as I could remember when I had kept out of my mind all thoughts of books of fiction that I had written or of books of fiction that I hoped to write in future and perhaps, too, of books of fiction that other persons had written and that I had read... I might have said afterwards that I had survived for an hour without fiction or that I had experienced life for a little the life I would have led if I had never had recourse to fiction.

... a long stretch of grassy plains, with a line of trees in the far distance.

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