Monday, 3 July 2017

David Keenan: England's Hidden Reverse: A Secret History of the Esoteric Underground



COIL is the most important to me, especially because it’s more a vehicle for my personal ideas – through the lyrics and the ideas I put into songs – but Sleazy contributes so much in this respect too. As we live together, we know exactly what to do as COIL – it just happens.If we disagree then it never reaches the public. We cannot afford to dilute our ideas; we do everything we want. we record the music we would like to hear as far as you possibly can do that. When we work on a song we don’t think about – should we make it more so and so to try and please any particular type of person. Sometimes we play around with peoples expectations, I think, but to remain pure we indulge ourselves at the beginning. It’s the only way.
CURRENT 93 is essentially David Tibet 93’s group. When I work on stuff with him, I add my own ideas, but Tibet has the last,final – overall say; and I like to work like that sometimes as with COIL I feel so much responsibility at every stage , from soundsamples byse to the lettering on an album innersleeve or whatever. CURRENT 93 is essentially Tibets mind – in action – manifesting its dark and intricate interior outwards onto the European cultural arena. COIL is my vehicle for my perverted little nightmares which for some unexplained reason I feel I have to share with everyone I can get to listen. COIL is perhaps a more stable group. Now there are 3 of us.Me, Sleazy and Steve Wyndham (Thrower), who was a temporary member for SCATOLOGY but who has now joined properly. Not that we sign papers or anything. But we all feel more of a solid entity to confront people with.With common aims and ideals.
I like to collaborate with others i.e. Boyd Rice was great to work with on NIGHTMARE CULTURE. We like to introduce a few selected people because it makes for interest while you can actually record – and you get fresh viewpoints – a new colour scheme in the usual permutations!!
- John Balance


Tuesday, 27 June 2017

Ursula K. Le Guin: The Dispossessed




“You cannot buy the revolution. You cannot make the revolution. You can only be the revolution. It is in your spirit, or it is nowhere.”


“It is our suffering that brings us together. It is not love. Love does not obey the mind, and turns to hate when forced. The bond that binds us is beyond choice. We are brothers. We are brothers in what we share. In pain, which each of us must suffer alone, in hunger, in poverty, in hope, we know our brotherhood. We know it, because we have had to learn it. We know that there is no help for us but from one another, that no hand will save us if we do not reach out our hand. And the hand that you reach out is empty, as mine is. You have nothing. You possess nothing. You own nothing. You are free. All you have is what you are, and what you give.”


“For we each of us deserve everything, every luxury that was ever piled in the tombs of the dead kings, and we each of us deserve nothing, not a mouthful of bread in hunger. Have we not eaten while another starved? Will you punish us for that? Will you reward us for the virtue of starving while others ate? No man earns punishment, no man earns reward. Free your mind of the idea of deserving, the idea of earning, and you will begin to be able to think.”


“My world, my Earth is a ruin. A planet spoiled by the human species. We multiplied and fought and gobbled until there was nothing left, and then we died. We controlled neither appetite nor violence; we did not adapt. We destroyed ourselves. But we destroyed the world first.”


"It's always easier not to think for oneself. Find a nice safe hierarchy and settle in. Don't make changes, don't risk disapproval, don't upset your syndics. It's always easiest to let yourself be governed."


"Those who build walls are their own prisoners. I'm going to go fulfil my proper function in the social organism. I'm going to go unbuild walls.”


“You can’t crush ideas by suppressing them. You can only crush them by ignoring them. By refusing to think, refusing to change.”


“If you evade suffering you also evade the chance of joy. Pleasure you may get, or pleasures, but you will not be fulfilled. You will not know what it is to come home.”


“There's a point, around the age of twenty, when you have to choose whether to be like everybody else the rest of your life, or to make a virtue of your peculiarities.”


“The individual cannot bargain with the State. The State recognizes no coinage but power: and it issues the coins itself.”


“You cannot take what you have not given, and you must give yourself. You cannot buy the Revolution. You cannot make the Revolution. You can only be the Revolution. It is in your spirit, or it is nowhere.”


“And I speak of spiritual suffering! Of people seeing their talent, their work, their lives wasted. Of good minds submitting to stupid ones. Of strength and courage strangled by envy, greed for power, fear of change. Change is freedom, change is life”


“A child free from the guilt of ownership and the burden of economic competition will grow up with the will to do what needs doing and the capacity for joy in doing it. It is useless work that darkens the heart. The delight of the nursing mother, of the scholar, of the successful hunter, of the good cook, of the skilful maker, of anyone doing needed work and doing it well, - this durable joy is perhaps the deepest source of human affection and of sociality as a whole.”

“We have nothing but our freedom. We have nothing to give you but your own freedom. We have no law but the single principle of mutual aid between individuals. We have no government but the single principle of free association. We have no states, no nations, no presidents, no premiers, no chiefs, no generals, no bosses, no bankers, no landlords, no wages, no charity, no police, no soldiers, no wars. Nor do we have much else. We are sharers, not owners. We are not prosperous. None of us is rich. None of us is powerful. If it is Anarres you want, if it is the future you seek, then I tell you that you must come to it with empty hands. You must come to it alone, and naked, as the child comes into the world, into his future, without any past, without any property, wholly dependent on other people for his life. You cannot take what you have not given, and you must give yourself. You cannot buy the Revolution. You cannot make the Revolution. You can only be the Revolution. It is in your spirit, or it is nowhere.”


He tried to read an elementary economics text; it bored him past endurance, it was like listening to somebody interminably recounting a long and stupid dream. He could not force himself to understand how banks functioned and so forth, because all the operations of capitalism were as meaningless to him as the rites of a primitive religion, as barbaric, as elaborate, and as unnecessary. In a human sacrifice to deity there might be at least a mistaken and terrible beauty; in the rites of the moneychangers, where greed, laziness, and envy were assumed to move all men's acts, even the terrible became banal.


He was appalled by the examination system, when it was explained to him, he could not imagine a greater detterent to the natural wish to learn than this pattern of cramming in information and disgorging it on demand.


Takashi Hiraide: The Guest Cat



Looking back on it now, I’d say one’s thirties are a cruel age. At this point, I think of them as a time I whiled away unaware of the tide that can suddenly pull you out, beyond the shallows, into the sea of hardship, and even death.


The word “to grieve” or “lament” in Japanese is actually made up of two different kanji characters — “sadness” and “resentment.”


The noble-minded do not thrust others aside in order to make their way in the world. But then they themselves are ultimately thrust aside by the advancing tide.


By late autumn the yard would grow thick with fallen leaves, causing the landlady to heave many deep sighs.


Wednesday, 21 June 2017

Cesar Aira: Ghosts


But the Australians, what do the Australians do? How do they structure their landscape? For a start they postulate a primal builder, whose work they presume only to interpret: the mythical animal who was active in the “dreamtime,” that is, a primal era, beyond verification, as the name indicates. A time of sleep. The visible landscape is an effect of causes that are to be found in the dreamtime. For example, the snake that dragged itself over this plain creating these undulations, etc., etc. These.. curious Aborigines make sure their eyes are closed while events take place, which allows them to see places as records of events. But what they see is a kind of dream, and they wake into a reverie, since the real story (the snake, not the hills) happened while they were asleep.