Wednesday 23 July 2014

W. G. Sebald: The Rings of Saturn

But the fact is that writing is the only way in which I am able to cope with the memories which overwhelm me so frequently and so unexpectedly. If they remained locked away, they would become heavier and heavier as time went on, so that in the end I would succumb under their mounting weight. Memories lie slumbering within us for months and years, quietly proliferating, until they are woken by some trifle and in some strange way blind us to life. How often this has caused me to feel that my memories, and the labours expended in writing them down are all part of the same humiliating and, at bottom, contemptible business! And yet, what would we be without memory? We would not be capable of ordering even the simplest thoughts, the most sensitive heart would lose the ability to show affection, our existence would be a mere neverending chain of meaningless moments, and there would not be the faintest trace of a past. How wretched this life of ours is!--so full of false conceits, so futile, that it is little more than the shadow of the chimeras loosed by memory. My sense of estrangement is becoming more and more dreadful.

What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?

Like our bodies and like our desires, the machines we have devised are possessed of a heart which is slowly reduced to embers.

At one point, she said after a while, at one point we thought we might raise silkworms in one of the empty rooms. But then we never did. Oh, for the countless things one fails to do!



Jenny Offill: Dept. of Speculation

And that phrase - 'sleeping like a baby.' Some blonde said it blithely on the subway the other day. I wanted to lie down next to her and scream for five hours in her ear.

Also she signed away the right to self-destruct years ago. The fine print on the birth certificate, her friends call it.

My husband gets a new job.... The pay is better. It has benefits. How is it, people ask. "Not bad," he says with a shrug. "Only vaguely soul-crushing.”

John Williams: Stoner

He was forty-two years old, and he could see nothing before him that he wished to enjoy and little behind him that he cared to remember.



"This is one of the worst kind of all writers. He's committed to telling us and not to showing us. He wants to control your attitude toward the characters by completely demystifying them. Williams lays everything on the table, as if he's handing you a psychological abstract." - on Stoner

Karl Ove Knausgaard: My Struggle 2

For who brooded over the meaninglessness of life anymore? Teenagers. They were the only ones who were preoccupied with existential issues, and as a result there was something puerile and immature about them, and hence it was doubly impossible for adults with their sense of propriety intact to deal with them. However, this is not so strange for we never feel more strongly and passionately about life than in our teenage years, when we step into the world for the first time, as it were, and all our feelings are new feelings. So there they are, with their big ideas on small orbits, looking this way and that for an opportunity to launch them, as the pressure builds. And who is it they light upon sooner or later but Uncle Dostoevsky.

Then I met Linda and the sun rose.
I can't find a better way to express it. The sun rose in my life. At first, as dawn breaking on the horizon, almost as if to say, this is where you have to look. Then came the first rays of sunshine, everything became clearer, lighter, more alive, and I became happier and happier, and then it hung in the sky of my life and shone and shone and shone.

Few things are harder to visualise than that a cold snowbound landscape, so marrow-chillingly quiet and lifeless, will, within mere months, be green and lush and warm, quivering with all manner of life, from birds warbling and flying through the trees to swarms of insects hanging in scattered clusters in the air. Nothing in the winter landscape presages the scent of sun-warmed heather and moss, trees bursting with sap and thawed lakes ready for spring and summer, nothing presages the feeling of freedom that can come over you when the only white that can be seen is the clouds gliding across the blue sky above the blue water of the rivers gently flowing down to the sea, the perfect, smooth, cool surface, broken now and then by rocks, rapids and bathing bodies. It is not there, it does not exist, everything is white and still, and if the silence is broken it is by a cold wind or a lone crow caw-cawing. But it is coming ... it is coming... One evening in March the snow turns to rain, and the piles of snow collapse. One morning in April there are buds on the trees, and there is a trace of green in the yellow grass. Daffodils appear, white and blue anemones too. Then the warm air stands like a pillar among the trees on the slopes. On sunny inclines buds have burst, here and there cherry trees are in blossom. If you are sixteen years old all of this makes an impression, all of this leaves its mark, for this is the first spring you know is spring, with all your sense you know this is spring, and it is the last, for all coming springs pale in comparison with your first. If, moreover, you are in love, well, then ... then it is merely a question of holding on. Holding on to all the happiness, all the beauty, all the future that resides in everything.

I, for my part, never looked forward to anything except the moment the office door closed behind me and I was alone and able to write.




Monday 7 July 2014

Ryu Murakami: From the Fatherland With Love

Many of the men and women looked vulgar, with hair dyed in the manner of Westerners, absorbing the effluence of decadent Western music, and consuming Western food and drink. There was even a man with an earring, as though he were a woman.