Wednesday 27 December 2017

Philip Pullman: His Dark Materials


“I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they wont' just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...”


She wondered whether there would ever come an hour in her life when she didn't think of him -- didn't speak to him in her head, didn't relive every moment they'd been together, didn't long for his voice and his hands and his love. She had never dreamed of what it would feel like to love someone so much; of all the things that had astonished her in her adventures, that was what astonished her the most. She thought the tenderness it left in her heart was like a bruise that would never go away, but she would cherish it forever.


“Seems to me-" Lee said, feeling for the words, "seems to me the place you fight cruelty is where you find it, and the place you give help is where you see it needed....”


“The intentions of a tool are what it does. A hammer intends to strike, a vise intends to hold fast, a lever intends to lift. They are what it is made for. But sometimes a tool may have other uses that you don't know. Sometimes in doing what you intend, you also do what the knife intends, without knowing.”


“This is what’ll happen,” she said, “and it’s true, perfectly true. When you go out of here, all the particles that make you up will loosen and float apart, just like your daemons did. If you’ve seen people dying, you know what that looks like. But your daemons en’t just nothing now; they’re part of everything. All the atoms that were them, they’ve gone into the air and the wind and the trees and the earth and all the living things. They’ll never vanish. They’re just part of everything. And that’s exactly what’ll happen to you, I swear to you, I promise on my honor. You’ll drift apart, it’s true, but you’ll be out in the open, part of everything alive again.”


“Finally, and almost simultaneously, the children discovered what it was like to be drunk. “Do they like doing this?” gasped Roger, after vomiting copiously. “Yes,” said Lyra, in the same condition. “And so do I,” she added stubbornly.

Thursday 14 December 2017

Jean-Philippe Toussaint: Reticence


Already on the first day, after remaining undecided all afternoon in my hotel room, I’d realized it was more complicated than I’d thought it was going to be to make up my mind to go see them. To a certain extent of course that was why I’d come to Sasuelo, but ever since I’d felt this initial reticence at going to see them I could very well imagine that my trip to Sasuelo, although initially meant as an occasion to see the Biaggis, would in fact end without my having resolved to contact them.

It had rained a lot the night before, and nearby on the ground a large puddle of water dimly reflected the trees and rooftops of the neighboring houses in the darkness. A light gust of wind occasionally sent a ripple over the surface of the water, blurring the reflections for a moment. Then, slowly, the image recomposed on the surface, trembling for another few seconds before stabilizing, and I saw that the center of the puddle mirrored the silvery shape of the old gray Mercedes, around which, however, by I don't know what play of perspectives or blind spots, there was no trace of me at all.


Walking past the large wooden mirror in the entrance, I saw a furtive silhouette pass by in the blackness.


Before moving on I lingered for a moment on the jetty looking at the dead cat, which continued to drift slowly back and forth in the harbor, first to the left then to the right, following the imperceptible flux and reflux of the current on the surface of the water.

Tuesday 5 December 2017

Antoine Volodine: Radiant Terminus


He always recovers. He hasn't been dead or alive since he was born. The radiation doesn't do anything to him.


This awful kolkhoz matchmaker, this reviver of cadavers, this horrible shadow, this giant impervious to radiation, this shamanic authority from nowhere, this president of nothing, this vampire in the form of a kulak, this strange man sitting on a stool, this abuser, this dominating man, this sleazy man, this unsettling man, this nuclear-reactor creature, this godless and lordless hypnotizer, this manipulator, this monster belonging to who knows what stinking category.


We never fill it up with fuel, Ilyushenko suddenly thought. We never stock up. We go on as if we were outside reality. The locomotive could keep going like this for years.


What's for sure is that he was the complete master of Radiant Terminus. Nobody was permitted to exist in the kolkhoz unless he'd gotten control over them in the heart of their dreams. No one was allowed to struggle in his or her own future unless he was part of it and directing it as he wished. He transformed everyone ito something like puppets, and, so as not to be bored, he created puppets that resisted him or who could deceive him or cause problems, but, in the end, he was the one with the final say on everything. Radiant Terminus wasn't really a kolkhoz, it was more a theater to keep him from spending eternity yawning and waiting for the world to break down and, for those who lived in the village, it was a filthy dream they could never escape.


— It's just theatrics, Myriam Umarik said. It's just a dream. His head skewered or not, doesn't matter. We're all neither dead nor living in Radiant Terminus. We're all bits of Solovyei's dreams. We're all ends and pieces of dreams or poems in his head. What we do to him doesn't matter to him. What Samiya Schmidt did to him that night is like a scene from a book. It doesn't count for anything. It's nothing. It'll pass.