Wednesday, 14 May 2014

Paul Verhaeghen: Omega Minor


Omega is a parameter that is very much needed to describe the universe, and Omega is the biggest riddle of them all. Omega is the parameter that tells us what will happen to the universe, what will happen to us, and there is something seriously wrong with the value of that parameter.

He fumes in silence. Then he explodes. "It is not my obligation, dear sir, to testify. My obligation is to forget. It is a misunderstanding that only living mouths can tell stories and that, just because I am one of the last survivors, it is my duty to get up on stage and speak. That is too much responsibility. That is too much to ask. Besides," says De Heer, "what do I have to say ? I do not believe the myth that society has made out of history. I cannot live up to the sainthood requirement. I hardly feel like any of this was real."

Monday, 21 April 2014

Cesar Aira: Varamo


He couldn’t believe that sleep had robbed him of this spectacle night after night. Such are the writer’s privileges, he thought, nostalgic already for the present.

He had developed a superstitious fear of the instant, that tiny hole through which all the time available to human beings must pass.

Kjersti Annesdatter Skomsvold: The Faster I Walk, The Smaller I Am

I've knitted myself a hat, it's plum red with an appealing lace pattern, I figured that a few air holes would be nice now that it's spring. I put it on and feel like a cranberry in the snow, and I wonder if they can see me from the moon. Me and the Great Wall.

Dave Eggers: The Circle




“You know how you finish a bag of chips and you hate yourself? You know you’ve done nothing good for yourself. That’s the same feeling, and you know it is, after some digital binge. You feel wasted and hollow and diminished.”

Monday, 7 April 2014

Kingsley Amis: Lucky Jim


If you can't annoy somebody, there is little point in writing.

Sunday, 23 March 2014

Thomas Bernhard: Old Masters

Art altogether is nothing but a survival skill, we should never lose sight of this fact, it is, time and again, just an attempt -- an attempt that seems touching even to our intellect -- to cope with this world and its revolting aspects, which, as we know, is invariably possible only by resorting to lies and falsehoods, to hyprocrisy and self-deception, Reger said. These pictures are full of lies and falsehoods and full of hypocrisy and self-deception, there is nothing else in them if we disregard their often inspired artistry. All these pictures, moreover, are an expression of man's absolute helplessness in coping with himself and with what surrounds him all his life. That is what all these pictures express, this helplessness which, on the one hand, embarasses the intellect and, on the other hand, bewilders the same intellect and moves it to tears, Reger said.


The art historians are the real wreckers of art, Reger said. The art historians twaddle so long about art until they have killed it with their twaddle. Art is killed by the twaddle of the art historians. My God, I often think, sitting here on the settee while the art historians are driving their helpless flocks past me, what a pity about all these people who have all art driven out of them, driven out of them for good, by these very art historians. The art historians’ trade is the vilest trade there is, and a twaddling art historian, but then there are only twaddling art historians, deserves to be chased out with a whip, chased out of the world of art, Reger said, all art historians deserve to be chased out of the world of art, because art historians are the real wreckers of art and we should not allow art to be wrecked by the art historians who are really art wreckers. Listening to an art historian we feel sick, he said, by listening to an art historian we see the art he is twaddling about being ruined, with the twaddle of the art historian art shrivels and is ruined. Thousands, indeed tens of thousands of art historians wreck art by their twaddle and ruin it, he said. The art historians are the real killers of art, if we listen to an art historian we participate in the wrecking of art, wherever an art historian appears art is wrecked, that is the truth.

Monday, 17 March 2014

Sergio de la Pava: A Naked Singularity

I put on slight music I could ignore and started to write. The type of this music I most favored they no longer made. Turns out they asked around one day and I was the only one enjoying it so they decided to just stop making it. Most of the bands that were making the music when this decision was made simply disappeared and got real jobs, the ones that survived made different music that appealed to more people. The result was that when I listened to that music it felt a bit like travelling to the past or visiting ghosts, and this despite the undeniable fact that a very healthy portion of the music I listened to otherwise was created a far longer time ago, by people long-departed, yet produced no similar feelings.

I'm afraid to move for fear of getting some of the world on me.

But insensate Time is nothing if not cruel and heartless. It corrodes then destroys, so that the man you literally and figuratively looked up to with your chubby face, who scooped you up to cross the street and patted you on the head to laughter, will later look through you from a crooked hospital bed then blindly up at you while wearing makeup in a bargain casket. The people who now surround you generating warmth will disappear leaving only an empty chill; the body you own and the brain it houses will malfunction.

I know this is going to sound weird but this kind of love is almost too intense. It hurts a bit. It feels almost like loss.