The technique of removing redundant data in a file is called compression. The technique of using a model of a listener to remove additional data is a special kind of “lossy” compression called perceptual coding. Because it uses both kinds of compression, the MP3 carries within it practical and philosophical understandings of what it means to communicate, what it means to listen or speak, how the mind’s ear works, and what it means to make music. Encoded in every MP3 are whole worlds of possible and impossible sound and whole histories of sonic practices... But MP3 encoders build their files by calculating a moment- to- moment relationship between the changing contents of a recording and the gaps and absences of an imagined listener at the other end. The MP3 encoder works so well because it guesses that its imagined auditor is an imperfect listener, in less-than-ideal conditions. It often guesses right.
Monday, 9 September 2013
Jonathan Sterne: MP3: The Meaning of a Format
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